Ibrahim Selman

A filmmaker captures an entire feature while cycling — one hand on the handlebar, the other breaking all cinematic rules.

A radically independent essay film — fully made by one person, all while cycling. Along a solo ride through the Netherlands and Spain, the filmmaker explores memory, belief, and existence through poetic images and sixteen Socratic intertitles. With humor, self-irony, and tenderness, the film becomes an ode to freedom, doubt, and cinematic rebellion.